Claustrophobic horror Books

Afflicted with a chronic debilitating condition, Suzette Jensen knew having children would wreak havoc on her already fragile body. Nevertheless, she brought Hanna into the world, pleased and proud to start a family with her husband Alex. Estranged from her own mother, Suzette is determined to raise her beautiful daughter with the love, care, and support she was denied. But Hanna proves to be a difficult child. Now seven-years-old, she has yet to utter a word, despite being able to read and write. Defiant and anti-social, she refuses to behave in kindergarten classes, forcing Suzette to homeschool her. Resentful of her mother's rules and attentions, Hanna lashes out in anger, becoming more aggressive every day. The only time Hanna is truly happy is when she's with her father. To Alex, she's willful and precocious but otherwise the perfect little girl, doing what she's told. Suzette knows her clever and manipulative daughter doesn't love her. She can see the hatred and jealousy in her eyes. And as Hanna's subtle acts of cruelty threaten to tear her and Alex apart, Suzette fears her very life may be in grave danger. Afflicted with a chronic debilitating condition, Suzette Jensen nevertheless brought Hanna into the world, pleased and proud to start a family with her husband Alex. Estranged from her own mother, Suzette is determined to raise her daughter with the love, care, and support she was denied. Now seven-years-old, Hanna has yet to utter a word, despite being able to read and write. Defiant and anti-social, she refuses to behave in kindergarten classes and must be homeschooled. But Hanna is becoming more aggressive every day-- only behaving when she's with her father. And now Suzette fears her own life may be in danger. -- adapted from back cover.

Twelve-year-old Oskar is obsessed by the murder that's taken place in his neighborhood. Then he meets the new girl from next door. She's a bit weird, though. And she only comes out at night--Publisher's description.

it's good

Uma, the older daughter of an Indian family, lives in relative poverty with her parents, while her younger brother Arun lives in America; both tending to their demanding parents.

Civilization rests on the backs of its outcasts. So when civilization needs someone to run generating stations three kilometers below the surface of the Pacific, it seeks out a special sort of person for its Rifters program. It recruits those whose histories have preadapted them to dangerous environments, people so used to broken bodies and chronic stress that life on the edge of an undersea volcano would actually be a step up. Nobody worries too much about job satisfaction; if you haven't spent a lifetime learning the futility of fighting back, you wouldn't be a rifter in the first place. It's a small price to keep the lights going, back on shore. But there are things among the cliffs and trenches of the Juan de Fuca Ridge that no one expected to find, and enough pressure can forge the most obedient career-victim into something made of iron. At first, not even the rifters know what they have in them―and by the time anyone else finds out, the outcast and the downtrodden have their hands on a kill switch for the whole damn planet...

Sphere is a 1987 novel by Michael Crichton, his sixth novel under his own name and his sixteenth overall. The story follows Norman Johnson, a psychologist engaged by the United States Navy, who joins a team of scientists assembled to examine a spacecraft of unknown origin discovered on the bottom of the Pacific Ocean. The novel begins as a science fiction story but quickly transforms into a psychological thriller, developing into an exploration of the nature of the human imagination. ---------- See also: - [Sphere](https://openlibrary.org/works/OL18169959W/Sphere) Also contained in: - [Congo / Sphere / Eaters of the Dead][2] [1]: http://www.michaelcrichton.com/sphere/ [2]: https://openlibrary.org/works/OL14950504W/Congo_Sphere_Eaters_of_the_Dead

'De avond is ongemak' is het schrijnende verhaal van een religieus boerengezin dat wordt getroffen door de dood van een kind. Matthies komt op een dag niet meer terug van het schaatsen en laat zijn zusje Jas in totale verwarring achter. Door de ogen van de dertienjarige Jas zien we hoe de familieleden elk op hun eigen manier omgaan met het verlies. Vader en moeder zijn volledig verlamd door verdriet en zien niet hoe Jas en haar zusje Hanna en haar broer Obbe ondertussen langzaam ontsporen. Onder leiding van Obbe ondernemen ze morbide experimenten met dieren en Hanna en Jas dromen hartstochtelijk van een Redder, een man als Boudewijn de Groot, een man die hen mee kan nemen naar de Overkant en hen in kan wijden in de geheimen van hun seksualiteit. Marieke Lucas Rijneveld (1991) geldt als een van de grootste talenten van de Nederlandse letteren. In 2015 debuteerde ze met de meermaals herdrukte dichtbundel 'Kalfsvlies', die werd bekroond met de C. Buddingh' Prijs voor het beste poëziedebuut.

When the Imperial prison barge Purge—temporary home to five hundred of the galaxy's most ruthless killers, rebels, scoundrels and thieves—breaks down in a distant, uninhabited part of space, its only hope seems to lie with a Star Destroyer found drifting, derelict, and seemingly abandoned. But when a boarding party is sent to scavenge for parts, only half of them come back—bringing with them a horrific disease so lethal that within hours, nearly all aboard the Purge will die in ways too hideous to imagine. And death is only the beginning. The Purge's half-dozen survivors—two teenage brothers, a sadistic captain of the guards, a couple of rogue smugglers and the chief medical officer, the lone woman on board—will do whatever it takes to stay alive. But nothing can prepare them for what lies waiting on board the Star Destroyer amid its vast creaking emptiness that isn't really empty at all. For the dead are rising, soulless, unstoppable, and unspeakably hungry.

This was no ordinary war. This was a war to make the world safe for democracy. And if democracy was made safe, then nothing else mattered--not the millions of dead bodies, nor the thousands of ruined lives ... This is no ordinary novel. This is a novel that never takes the easy way out: it is shocking, violent, terrifying, horrible, uncompromising, brutal, remorseless and gruesome ... but so is war. --Publisher.

WICKED above her hipbone, GIRL across her heart Words are like a road map to reporter Camille Preaker's troubled past. Fresh from a brief stay at a psych hospital, Camille's first assignment from the second-rate daily paper where she works brings her reluctantly back to her hometown to cover the murders of two preteen girls.NASTY on her kneecap, BABYDOLL on her legSince she left town eight years ago, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed again in her family's Victorian mansion, Camille is haunted by the childhood tragedy she has spent her whole life trying to cut from her memory.HARMFUL on her wrist, WHORE on her ankleAs Camille works to uncover the truth about these violent crimes, she finds herself identifying with the young victims--a bit too strongly. Clues keep leading to dead ends, forcing Camille to unravel the psychological puzzle of her own past to get at the story. Dogged by her own demons, Camille will have to confront what happened to her years before if she wants to survive this homecoming.With its taut, crafted writing, Sharp Objects is addictive, haunting, and unforgettable.From the Hardcover edition.

Mrs. Dunphrey agrees not to read the private entries written in her students' English journals, thus Tish Bonner finds herself pouring her emotions into her book in an effort to relieve the pressures in her life that she feels she cannot discuss with anyone.

E-book extra: "Who Is Wally Lamb?" The author recalls events surrounding the acclaimed publication of I Know This Much Is True. ( Not available in print editions of this work.)Wally Lamb's masterful novel of transgression and redemption, now in e-book format.A contemporary retelling of an ancient Hindu myth: a proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world....

Gerald and Jessie Burlingame have gone to their summer home on a warm weekday in October for a romantic interlude. After being handcuffed to her bedposts, Jessie tires of her husband's games, but when Gerald refuses to stop she lashes out at him with deadly consequences. Still handcuffed, she is trapped and alone. Painful memories from her childhood bedevil her. Her only company is a hungry stray dog and the sundry voices that populate her mind. As night comes, she is unsure whether it is her imagination or if she has another companion: someone watching her from the corner of her dark bedroom. ([source][1]) [1]: https://www.stephenking.com/library/novel/gerald_s_game.html

American Pastoral is a Philip Roth novel published in 1997 concerning Seymour "Swede" Levov, a successful Jewish American businessman and former high school star athlete from Newark, New Jersey. Levov's happy and conventional upper middle class life is ruined by the domestic social and political turmoil of the 1960s during the presidency of Lyndon B. Johnson, which in the novel is described as a manifestation of the "indigenous American berserk". American Pastoral won the **Pulitzer Prize** in 1998. Seven years later, the novel was included in **Time's List of the 100 Best Novels**, a list covering the period between 1923 and 2005. In 2006, it was one of the runners-up to Toni Morrison's Beloved, in the "**What is the Best Work of American Fiction of the Last 25 Years**?" contest held by the New York Times Book Review. ---------- Also contained in: [American Trilogy 1997-2000](https://openlibrary.org/works/OL17489174W)

The Girl Who Loved Tom Gordon (1999) is a psychological horror novel by American writer Stephen King.

Like bookends of the past half century, the two generations of the Lambert family represent two very different aspects of America. Alfred, the patriarch, is a distant, puritanical company man; he is also slipping into Parkinson's-induced dementia. His wife, Enid, is a model Midwestern housewife, at once deferential and controlling. Their three children--Gary, an uptight banker, baffled by his own persistent unhappiness; Chip, and ex-professor now failing as a screenwriter; and Denise, and up-and-coming chief in a hot new restaurant--have little time for Enid and Alfred. But when Enid calls for one last Christmas at the family home, the trajectories of five American lifetimes converge. With this important, profoundly affecting work, Jonathan Franzen confirms his place in the top tier of American novelists. His unique blend of subversive humor and full-blooded realism makes The Corrections a grandly entertaining family saga.

""Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English."-The New YorkerThere have always been two versions of Chekhov's heartrending and humorous masterwork: the one with which we are all familiar, staged by Konstatine Stanislavski at the Moscow Art Theatre in 1904, and the one Chekhov had originally envisioned. Now, for the first time, both are available and published here in a single volume in translations by the renowned playwright Richard Nelson and Richard Peavar and Larissa Volokhonsky, the foremost contemporary translators of classic Russian literature. Shedding new light on this most revered play, the translators reconstructed the script Chekhov first submitted and all of the changes he made prior to rehearsal. The result is a major event in the publishing of Chekhov's canon.Richard Nelson's many plays include Rodney's Wife, Goodnight Children Everywhere, Drama Desk-nominated Franny's Way and Some Americans Abroad, Tony Award-nominated Two Shakespearean Actors and James Joyce's The Dead (with Shaun Davey), for which he won a Tony Award for Best Book of a Musical, and the critically acclaimed, searing play cycle, The Apple Family Plays.Richard Pevear and Larissa Volokhonsky have produced acclaimed translations of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the 1991 and 2002 PEN/Book-of-the-Month Club Translation Prizes. Pevvear, a native of Boston, and Volokhonsjky, of St. Petersburg, are married to each other and live in Paris. "--

The story takes place in the country of Opium, a strip of land between Mexico (now called Aztlán), and the United States. Opium, which is essentially an opium-producing estate, is ruled by Matteo Alacrán, also known as El Patrón. El Patrón's work-force consists of illegal immigrants whom the Farm Patrol (ex-criminals who are tempted with the offer of protection from the police) enslave when they catch them crossing the border in either direction. These illegal immigrants become "eejits", humans with computer chips implanted in their brains, making them more or less zombies who can perform only simple tasks. The main character, Matt, is a clone of El Patrón, an incredibly powerful, 140-some-years-old drug lord who intends to take Matt's organs when his own organs fail. Matt was grown from a set of cells that were taken from El Patrón decades ago, then frozen. He was cultured in a test tube, then transferred into a surrogate mother (a cow) when it became clear that he was going to survive. For the first six years of his life, he lived with Celia, a cook who worked in El Patrón's mansion. Though he was told from very young that Celia was not his biological mother, she is his mother figure. One day, he is discovered by two children (Emilia and Steven). The next day they return, and bring Emilia's sister, María, who immediately captivates Matt. They observe him through the window for a while, but soon get bored and turn to leave. Matt is so desperately lonely that he smashes the window and jumps out to follow them. Never having experienced pain before, he was unaware of the danger in jumping barefoot onto smashed glass. The children carry him to El Patrón's mansion, also known as the Big House, to be treated. Though the people there act kindly towards Matt at first, a man passing by (Mr. Alacrán) recognizes him as a clone. For the next few months, he is treated as an animal by most of the Alacráns, and is locked into a room filled with sawdust for his "litter". The inhabitants of the Big House, meanwhile, are so disgusted by him that they have all moved to different wings of the mansion, as if they were afraid of contamination. However, María discovers where he is being kept, and informs Celia, who then passes the description of Matt's filthy conditions and abusive treatment on to El Patrón. El Patrón immediately punishes the maid who was in charge of Matt, gives Matt clothes and his own room, and commands everyone to treat Matt with respect. Matt is also given a bodyguard, Tam Lin, who becomes a father figure to him. Still, everyone but Celia, María, and Tam Lin look upon Matt with ill-disguised repulsion, only now they hide it when El Patrón is around. Matt lives in the Big House for the next seven years. He and María quickly become friends, then more than friends. However, Matt is deliberately kept in the dark by everyone about his identity and purpose until a cruel joke reveals to him that he is a clone. Matt also discovers that all clones are supposed to be injected when "harvested" with a compound that cripples their brains and turns them into little more than thrashing, drooling animals. From then on, he studies and practices the piano with a vengeance, in a state of denial. In his heart, Matt already knows the reason for his existence, yet he convinces himself that El Patrón would not hire him tutors and go to all the trouble of keeping Matt entertained if he was intending to kill Matt in the end, and that El Patrón must want Matt to run the country once he was dead. Alas, Matt's worst fears are realized: El Patrón has a near-fatal heart attack. Matt and María, who have by this time realized they love each other, attempt to flee in the ensuing chaos, but are betrayed by Steven and Emilia. María is taken away, and Matt is walked over to the Big House's hospital, where El Patrón at last confirms that Matt lived only to keep himself, El Patrón, alive in the end. At that moment, Celia reveals that she has been giving Matt carefully measured doses of arsenic, which, though not large enough to kill Matt, would certainly be fatal to one as frail as El Patrón; El Patrón becomes so mad with rage that he has another heart attack and dies. Mr. Alacrán orders Tam Lin to dispose of Matt; Tam Lin pretends to comply, and ties him to a horse and rides away to dispose of him. But instead, he gives Matt supplies and sets him on a path to Aztlán. Arriving in Aztlán, Matt comes across a kind of penal colony for orphans. These orphans are called the "Lost Boys", and Matt is sent to live with them by a group of men known as the "Keepers," who are fervent followers of Marxism. The Keepers operate the plankton farms, forcing the orphans to do manual labor and subsist on plankton. The Keepers enjoy luxurious quarters and delectable food, claiming that this is fair because they "earned" the right to do so by working hard during their childhood. Matt is at first an outcast because the other boys think he is a spoiled aristocrat. However, Matt becomes a hero when he defies the Keepers and leads the boys in a rebellion against them. Matt then flees with his friends among the Lost Boys. They struggle to the nearest city, San Luis, then go to the convent to find María and her mother, the politically powerful Esperanza. Esperanza thanks the boys for giving her an excuse to charge the Keepers with drug trafficking: for years, everybody had known about it, but no one had sufficient evidence for a search warrant. Matt also learns that Opium is in lockdown. No one can enter or leave the country, and there has been no communication. All planes are shot down by automated defense systems, but, Esperanza reveals, El Patrón's DNA signature is overriding, since he is essentially the dictator of Opium. Matt, who has exactly the same DNA as El Patrón, manages to re-enter Opium, but only to learn that almost no one he knew is still alive. El Patrón has died and he has caused his subjects and possessions to be buried with him. Matt, who is El Patron's genetic heir, becomes the new ruler of Opium. (From http://en.wikipedia.org/wiki/The_House_of_the_Scorpion, Friday, March 4th, 2011, 3:04 AM)

Novel

Warning: Your day will become very dark – and possibly damp – if you read this book. Plan to spend this spring in hiding. Lemony Snicket is back with the eleventh book in his New York Times bestselling A Series of Unfortunate Events. Lemony Snicket's saga about the charming, intelligent and grossly unlucky Baudelaire orphans continues to provoke suspicion and despair in readers the world over. In the eleventh and most alarming volume yet in the bestselling phenomenon A Series of Unfortunate Events, the intrepid siblings delve further into the dark mystery surrounding the death of their parents and the baffling VFD organisation. Ages 9+

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.

Cassandra, the 17-year-old narrator, lives an eccentric existence in a crumbling castle in the English countryside in the 1930s. Her father is a former bestselling novelist now suffering from a chronic case of writer's block and her glamorous but bohemian stepmother Topaz is a sometime artist model. Money is in short supply but Cassandra and her discontented older sister Rose are forced to make the best of things - until some young, wealthy American neighbours arrive and Rose sees an opportunity for them all to escape their impoverished existence. Even when she is encountering the difficulties of first love and first heartbreak, Cassandra remains a wonderfully likable heroine, with a strong narrative voice and a distinctive sense of humour. Whimsical, charming and beautifully written, this engaging classic novel will appeal equally to both adult and young adult readers.

Dying isn't any fun...but at least it's a living. Mickey7 is an a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there's a mission that's too dangerous-even suicidal- the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. Mickey signed on to escape from both bad debts and boredom on Midgard. After six deaths, Mickey7 understands the terms of his deal...and why it was the only colonial position unfilled when he took it. When he goes missing and is presumed dead at the hands of deadly indigenous creatures, Mickey8 reports for duty, and their troubles really begin.

A love triangle involving 17-year-old misfit Arnie Cunningham, his new girlfriend and a haunted 1958 Plymouth Fury. Dubbed Christine by her previous owner, Arnie's first car is jealous, possessive and deadly. ([source][1]) [1]: https://stephenking.com/library/novel/christine.html

The Plot Against America is a novel by Philip Roth published in 2004. It is an alternative history in which Franklin D. Roosevelt is defeated in the presidential election of 1940 by Charles Lindbergh. The novel follows the fortunes of the Roth family during the Lindbergh presidency, as antisemitism becomes more accepted in American life and Jewish-American families like the Roths are persecuted on various levels. The narrator and central character in the novel is the young Philip, and the care with which his confusion and terror are rendered makes the novel as much about the mysteries of growing up as about American politics. Roth based his novel on the isolationist ideas espoused by Lindbergh in real life as a spokesman for the America First Committee, and on his own experiences growing up in Newark, New Jersey. The novel received praise for the realism of its world and its treatment of topics such as antisemitism, trauma, and the perception of history. The novel depicts the Weequahic section of Newark which includes Weequahic High School from which Roth graduated. In 2005, the novel won the James Fenimore Cooper Prize for Best Historical Fiction given by the Society of American Historians. It won the Sidewise Award for Alternate History, was a finalist for the John W. Campbell Memorial Award, and came in 11th for the 2005 Locus Awards.

**Cat's Eye** is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman -- but above all she must seek release from her haunting memories. Disturbing, hilarious, and compassionate, Cat's Eye is a breathtaking novel of a woman grappling with the tangled knot of her life.

A fictionalized account of the author's experiences as a boy in Shanghai, China, during the Second World War, and in Lunghua C.A.C. (Civilian Assembly Centre), where he was interned from 1942 to 1945.

The Bell Jar is the only novel written by American poet Sylvia Plath. It is an intensely realistic and emotional record of a successful and talented young woman's descent into madness.